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Artist Statement 2026

By blog,, Interviews, Press, Press Release
For me, painting is a way of loving the world
I try not to overthink it, less analysis, more doing
I have never fully understood money, or what the world calls success
But I have made paintings that brought me joy, and that has been enough to keep going
Living as an artist is not easy
It can be uncertain, sometimes painful
The external rewards are small
Most of what it gives is internal
I have always wanted it enough to continue, even when the path is unclear
From the outside, it may look like failure
But it can still be a meaningful life
A painting takes time
I move slowly, letting it unfold
I don’t try to control it too much
I let the brush and the canvas lead me somewhere I didn’t expect
Craft matters, but mostly as a way of sensing when something begins to feel alive
Each painting becomes its own small world
I went to art school and learned how to think as an artist
But I have always simply been a maker
I couldn’t help it
I loved color
And truthfully, I never really learned how to paint in a formal way
I kept improvising, following color the way one follows music
Color cannot be eaten or drunk
It can only be taken in with the eyes
Maybe that is part of its mystery
Sometimes I look at my work later and it feels unfamiliar
I’m not always sure if I like it
But I stay curious
It often feels like a balance between order and chaos
Progress in art is rarely clear
It grows slowly, almost quietly, through experience
Thinking alone never resolves a painting
Something only happens once you begin
For me, art is a way of participating in the world
A way of paying attention
A small connection
When I make something or when I encounter art, I come a little closer
To others, to the world, to being human
In that sense, making art feels like a quiet, generous act
 
Nanuka. March 2026, Los Angeles, California
 

Buyers Mag X TBC Status

By Interviews

What inspires your work? Do you think of dreams and memories while you are making your images?

Usually, I am not aware of what inspired me until the end, but it can be sparked by anything that allows me to think about how cultures come together – how our nature can be informed with so much love and sorrow at once. We are constantly connected to the present and part of us is connected to centuries. In that respect, I have been building a vocabulary of images from memories new and old, from my immediate environments and from nature in order to tap into emotions and fantasies and work out certain patterns. I have learned that art-making for me is a more liberating activity if I try not to think about past or childhood – to be in the here and in the now, yet these things inevitably surface.

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Starlit Skies: METAL Magazine

By Interviews

Nanuka Tchitchoua is a Los Angeles-based artist who moved to the United States as a consequence of the civil war in her home country, Georgia. Having grown up surrounded by a family of art collectors, Nanuka was exposed to art from a very young age. Since then she’s realised that art would be an integral part of her life. Nanuka believes that people are born as stars and are connected by invisible threads. Her pieces are a rare representation of orderly chaos that portray the visible (and invisible) joys of life. 

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