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AN EVENING OF EXPERIMENTAL FILMS NANA TCHITCHOUA & T. WADE IVY

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AN EVENING OF EXPERIMENTAL FILMS
NANA TCHITCHOUA & T. WADE IVY
Presented by Naomi Uman
1 hour
LA GUEVA
Saturday, April 25, 2026
Doors 7 PM
Screening 8 PM
Cine Underground de La Gueva
Serapio Rendón 8
San Rafael, CDMX
3rd Floor
PROGRAM I
Samovar — 9:00 — 2002
Movement Cloisonné — 7:11 — 2011/2004
Optical Color — 4:00 — 2014
All Things Must Pass — 14:48 — 2025
Paradox Wave — 5:00 — 2026
PROGRAM II
Live visuals — Nana & Wade
Live synth — T. Wade Ivy
Nana Tchitchoua & T. Wade Ivy
Los Angeles–based filmmaking duo.
20+ years collaboration.
Experimental animation + poetic documentary.
Films on memory, time, inner landscape.

 

ALL THINGS MUST PASS

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A film by Nana Tchitchoua & T. Wade Ivy

ALL THINGS MUST PASS

Running time: 14:50
Special Screening
Museum of Jurassic Technology (
Borzoi Cabinet Theater)
Wednesday, April 1st, 2026 
7:30 PM
Filmed over a decade in the mountains of Georgia, this poetic documentary blends intimate rural life with meditative text, reflecting on impermanence, memory, and the quiet erosion of time.

Artist Statement 2026

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For me, painting is a way of loving the world
I try not to overthink it, less analysis, more doing
I have never fully understood money, or what the world calls success
But I have made paintings that brought me joy, and that has been enough to keep going
Living as an artist is not easy
It can be uncertain, sometimes painful
The external rewards are small
Most of what it gives is internal
I have always wanted it enough to continue, even when the path is unclear
From the outside, it may look like failure
But it can still be a meaningful life
A painting takes time
I move slowly, letting it unfold
I don’t try to control it too much
I let the brush and the canvas lead me somewhere I didn’t expect
Craft matters, but mostly as a way of sensing when something begins to feel alive
Each painting becomes its own small world
I went to art school and learned how to think as an artist
But I have always simply been a maker
I couldn’t help it
I loved color
And truthfully, I never really learned how to paint in a formal way
I kept improvising, following color the way one follows music
Color cannot be eaten or drunk
It can only be taken in with the eyes
Maybe that is part of its mystery
Sometimes I look at my work later and it feels unfamiliar
I’m not always sure if I like it
But I stay curious
It often feels like a balance between order and chaos
Progress in art is rarely clear
It grows slowly, almost quietly, through experience
Thinking alone never resolves a painting
Something only happens once you begin
For me, art is a way of participating in the world
A way of paying attention
A small connection
When I make something or when I encounter art, I come a little closer
To others, to the world, to being human
In that sense, making art feels like a quiet, generous act
 
Nanuka. March 2026, Los Angeles, California